In an essay "Why I Write," Elie Wiesel discussed the predicament he faced in putting his experiences during the Holocaust into words:

"All words seems inadequate, worn, foolish, lifeless, whereas I wanted them to be searing. Where was I to discover a fresh vocabulary, a primeval language?"

Based on your reading of Night, what answers does Wiesel's memoir offer to the question of how what he called "concentration camp language" can be presented to readers who did not experience the Holocaust?