"So that they may behold their evil ways."
Iliad, XIII. 700: "And Ajax, the swift son of Oileus, never at all stood apart from the Telamonian Ajax ; but as in a fallow field two dark bullocks, possessed of equal spirit, drag the compacted plough, and much sweat breaks out about the roots of their horns, and the well-polished yoke alone divides them, stepping along the furrow, and the plough cuts up the bottom of the oil, so they, joined together, stood very near to each other."
Galatians iii. 24 : "The law was our schoolmaster (Paidagogos) to bring us unto Christ."
Milton, Parad.Lost, I. 44--
"Him the Almighty Power
Hurled headlong flaming from the ethereal sky
With hideous ruin and combustion, down
To bottomless perdition, there to dwell
In adamantine chains and penal fire,
Who durst defy the Omnipotent to arms."
He was struck by tbe thunderbolt of Jove, or by a shaft of Apollo, at the battle of Flegra. "Ugly medley of sacred and profane, of revealed truth and fiction !" exclaims Venturi.
Genesis xi. 8 : "So the Lord scattered them abroad from thence upon the face of all the earth ; and they left to build the city. Therefore is the name of it called Babel ; because the Lord did there confound the language of all the earth, and from thence did the Lord sccatter them abroad upon the face of all the earth."
See also Inf XXXI. Note 77.
"This sepulchre within it has no corse ;
This corse without here has no sepulchre,
But to itself is sepulchre and corse."
Ovid, Metamorph., VI., Croxall's Tr. : -
"Widowed and childless, lamentable state !
A doleful sight, among the dead she sate ;
Hardened with woes , a statue of despair,
To every breath of wind unmoved her hair ;
Her cheek still reddening, but its colour dead,
Faded her eyes, and set within her head.
Mo more her pliant tongue its motion keeps,
But stands congealed within her frozen lips.
Stagnate and dull, within her purple veins,
Its current stopped, the lifeless blood remains.
Her feet their usual offices refuse,
Her arms and neck their graceful gestur lose :
Action and life from every part are gone,
And even her entrails turn to solid stone ;
Yet still she weeps, and whifled by storn winds,
Borne through the air, her native country finds
There fixed, she stands upon a bleaky hill,
There yet her marble cheeks eternal tears distil."
But Ovid, Metamorph., VI., says :--
Seven are my daughters of a form divine, With seven fair sons, an indefective line."
"One at the loom so excellently skilled,
That to the goddess she refused to yield
Low was her birth, and small her native town,
She from her art alone obtained renown.
Nor would the work, when finished, please so
much
As, while she wrought, to view each graceful
touch;
Whether the shapeless wool in balls she
wound,
Or with quick motion turned the spindle
round,
Or with her pencil drew tile neat design,
Pallas her mistress shone in every line.
This the proud maid with scornful air denies
And even the goddess at her work defies ;
Disowns her heavenly mistress every hour,
Nor asks her aid, nor deprecates her power.
Let us, she cries, but to a trial come,
And if she conquers, let her fix my doom."
It was rather an unfair trial of skill, at the end of which Minerva, getting angry, struck Arachne on the forehead with her shuttle of box-wood.
"The unhappy maid, impatient of die wrong,
Down from a beam her injured person hung;
When Pallas, pitying her wretched state,
At once prevented and pronounced her fate :
Live : but depend, vile wretch !' the goddess cried,
'Doomed in suspense for ever to be tied ;
That all your race, to utmost date of time,
May feel the vengeance and detest the crime.
Then, going off, she sprinkled her with juice
Which leaves of baneful aconite produce.
Touched with the poisonous drug her flowing
hair
Fell to the ground and left her temples bare ;
Her usual features vanished from their place,
Her body lessened all, but most her face.
Her slender fingers, hanging on each side
With many joints, the use of legs supplied :
A spider's bag the rest, from which she gives
A thread, , and still by constant weaving lives."
Ovid, Metamorph., IX.:--
"The son shall bathe his hands in parent's blood,
And in one act be both unjust and good."
Statius, Theb., II. 355, Lewis's Tr. :--
"Fair Eriphyle the rich gift beheld,
And her sick breast with secret envy swelled.
Not the late omens and.the well-known tale .
To cure her vain ambition aught avail.
O had the wretch by self-experience known
The future woes and sorrows not her own !
But fate decrees her wretched spouse must
bleed,
And the son's frenzy clear the mother's deed."
The greater part of the army of the Persians was destroyed, and Cyrus himself fell, after reigning nine and twenty years. Search was made among the slain, by order of the queen, for the body of Cyrus, and when it was found, she took skin, and filling it full of human blood, dipped the head of Cyrus in the gore, saying, as she thus insulted the corse, 'I live and have conquered thee n fight, and yet by thee am I ruined ; for thou tookest my son with guile ; but thus I make good my threat, and give thee thy fill of blood.' Of the many different accounts which are given of the death of Cyrus, this which I have followed appears to be the most worthy of credit."
Now when the children of Israel heard it, they all fell upon them with one consent, and slew them unto Chobai."
'Qual di pennel fu maestro, e di stile
Che ritraesse l'ombre, e i tratti, ch' ivi
Mirar farieno uno ingegno sottile.
Mon li morti , e i vivi parean vivi :
Non vide me' di me, chi vide il vero, Quant' io calcai, fin che chinato givi.'
Dante has here clearly no other idea of the highest art than that it should bring back, as in a mirror or vision, the aspect of things passed or absent. The scenes of which he speaks are, on the pavement, for ever represented by angelic power, so that the souls which traverse this circle of the rock may see them, as if the years of the world had been rolled back, and they again stood beside the actors in the moment of action. Nor do I think that Dante's authority is absolutely necessary to compel us to admit that such art as this might indeed be the highest possible. Whatever delight we may have been in the habit of taking in pictures, if it were but truly offered to us to remove at our will the canvas from the frame, and in lieu of it to behold, fixed for ever, the image of some of those mighty scenes which it has been our way to make mere themes for the artist's fancy,--if, for instance, we could again behold the Magdalene receiving her pardon at Christ's feet, or the disciples sitting with him at the table of Emmaus,--and this not feebly nor fancifully, but as, if some silver mirror, that had leaned against the wall of the chamber, had been miraculously commanded to retain for ever the colours that had flashed upon it for an instant,--would we not part with our picture, Titian's or Veronese's though it might be?"
It must be observed that all the Latin lines in Dante should be chanted with an equal stress on each syllable, in order to make them rhythmical.